I recently decided to reopen my college sketchbook and start
drawing again. Skipping past my old attempts at quick still-lifes and object
drawings, I began to draw female figures with swooping contour lines and
attention to the details of toes and such. Like writing, drawing for me is
rewarding yet draining. You pour all you have out onto the paper, and after
such a purging you feel empty and exhausted. But the glorious feeling of having
created something glistens, overshadowing the burnt out emotion that lingers
within. My style is a combination of light, sketchy drawings and highly
detailed ones—putting two seemingly opposite approaches together on the page
can be challenging while also yielding happy results. Today I was perusing the
internet and I came across a drawing called “Two Women Sketch” by Erin Payne.
The piece depicts two female figures in a quick sketch that utilizes both light
and dark strokes of a conte crayon. The drawing is whimsical yet determined in
composition. The figures strike their poses and hold them as statues would, but
their bodies look as if they could be blown away by a slight breeze. Payne
created a juxtaposition of hard and soft, stable and unstable, permanent and
fleeting—these combinations are compelling to look upon because of their
extreme differences, differences that Payne was able to capture in an
eye-pleasing manner. Strong and fragile are two angles that I try to convey
with my drawings like Erin Payne so successfully does in her piece “Two Women
Sketch”. I attempt what Payne has
accomplished within the pages of my sketchbook. I understand the concept, but
to deliver upon that concept is another step that I hope to achieve one day.
Article Submitted by Alexandra Dailey
To view the piece refereced, click on the link
attached. http://www.erinpayneart.com/large-multi-view/single/91015-0-/Paper.html#.UJlVLMXLTzo
No comments:
Post a Comment