The seasonably
unpredictable days of spring had arrived. Bare branches left frozen and raw for
months, were slowly being adorned by a billowing tapestry of light green
foliage. Flower bulbs lying dormant and forgotten just below the surface of the
cold Earth, were gradually releasing their colorful offspring into the world.
Although the weather can
sometimes be unpredictable, this annual spectacle of nature is not. My days of
spring had become commonplace – almost routine. Each year, I photographed the
usual daffodils, cherry blossoms and tulips. However, I would always bypass the
tulip display at the World Trade Center on my way to work across the street.
The tulips decorated the planters in the plaza area between the towers. Being a
nature photographer in an urban environment like New York City can be a
challenge, especially if you don’t own a car. However, I had learned to develop
shooting around obstacles like streetlamps, traffic and buildings into quite an
art form. People are often amazed to learn that some of my most stunning
imagery was actually created in the heart of the Bronx or downtown Brooklyn.
Since avoiding man-made
objects in my nature shots had always been a top priority of mine, I never
considered the WTC tulips a worthwhile photo opportunity. I could never figure
out how to shoot them artistically in such a confined area. Depending on the
time of day, the plaza would be filled with vender carts, tourists taking
pictures, workers hustling back and forth, or musicians performing for the lunchtime
crowds – not exactly a prime backdrop for creative nature photography. The
biggest obstacles, of course, were the towers themselves, which I viewed as “in
the way.”
For some reason, I had a
change of heart in Spring 2001. Succumbing to the “if you can’t beat ‘em, join
‘em” mentality, I decided to include the buildings in the shot. On a clear
April morning, I shot a series of low-angle close-ups with a 16mm fisheye lens.
The extremely wide view enabled me to capture the tulips and the towers
with room to spare. A right-angle finder comfortably allowed for
an even lower than normal perspective, and a lens setting of f/22 brought the
foreground and background into perfect focus. I don’t normally use this lens
due to its extreme barrel distortion, but in this particular case, I felt it
served as an appropriate aesthetic element.
I learned a lot of
things from the pictures I took on that cloudless day. As one of my first
attempts at deliberately combining natural and man-made objects, it’s clear that
the two don’t always have to remain exclusive. Great images can be made by the
skillful juxtaposition of these two worlds. Sadly, five months after this scene
was captured, it was wiped away forever, along with the now dismantled Deutsche
Bank building where I used to work. That taught me to never to take things for
granted – things I might even consider obtrusive. Perhaps my most sobering
realization was that this was a time of innocence – a time when everything was
right with the world. Those seemingly “routine” days of Spring ’01 truly were
better days.
Article Submitted by:
F.M. Kearney is a fine
art nature photographer, specializing in unique floral and landscape images. To
see more of his work, please visit www.starlitecollection.com.